experimental literature

Trash vispo published in Utsanga

Utsanga #25 was just released today. This Italy-based experimental literary journal is overloaded with great work from across the international avant garde. Vispo, asemic works, video, sound poems, textual pieces…it’s all represented, and everything inspires. Just click the link to start browsing the contents.

I’m very pleased to be included with ten new works of visual poetry. I call this series “Trash Vispo” because it’s composed from random junk my friend David Craig picked up from the street and mailed to me from various places where he was living (Herndon, VA and Portland, OR) over the course of many years. Each manilla envelope was a time capsule gold mine of provocative flotsam that demanded to be arranged and preserved in time. You can check out my work here.

Short story “Pussy Bomb/Earthquakes Bring Confusion” published in X-Peri

An online literary journal for extreme experimentalism, X-Peri publishes new work every Monday. Today, my science fiction story “Pussy Bomb/Earthquakes Bring Confusion” appeared on the site, with an accompanying still image from my video “Succubus Highway.” You can check it out here.

This text is part of a series of pieces featuring Doom Pussy, a kind of Kali-esque figure engaged in a war against war…as well as gender, environmental destruction, and other by products of human activity. An editor at another journal once described a Doom Pussy story as “a cross between William S. Burroughs and Andrea Dworkin.” This should come with an NSFW warning for extremely graphic language and situations. So I’m especially grateful to X-Peri for publishing it.

“Sparkle Plenty” and 10 vispo published in Otoliths #57

otoliths spring 2020

Another massive installment of Otoliths, something of a journal of record for the international avant garde lit scene, was just released yesterday. This is Issue 57, for Southern Autumn 2020 (as it’s edited in Australia). Tons of new visual poetry, text work, poetry, poetics, etc (all the unclassifiable stuff) for passing the quarantined time and sharing with your socially isolated friends.

vispo otoliths spring 2020

I’m very pleased to be part of this issue “Sparkle Plenty,” a long poem based on a restricted vocabulary drawn from American magical thinking in a form that could be some programming sent from one Artificial Intelligence to another. Only 2 of 12 stanzas are represented below. Also, ten pieces of visual poetry with asemic calligraphy, part of a much larger set of work that may comprise the log book of a human colony on an extraterrestrial world. You can check it out here.

Sparkle-plenty otoliths

“Gravy Pills,” one other text, and five asemic vispo published in Otoliths 55

otoliths 55 cover

Just released, Otoliths #55, the Southern Autumn 2019 issue, is jam packed as usual with fine text, vispo and hybrid experiments from across the international literary avant garde. I’m pleased to be represented with two new texts, “Gravy Pills” and “Phantom Gold,” plus five new visual poems with asemic writing. You can view them here.

asemic vispo-otoliths 55

The texts continue experiments with AI language poems, this time using vocabulary drawn from the magical thinking of the average American. The vispo are a small selection from a kind of diary of a extraplanetary colony world.

gravy pills-otoliths 55

“Flip Operations II” and 5 asemic calligraphy works published in Otoliths

otoliths-53-front

The latest issue of Otoliths was released today, this one being Issue 53, the southern autumn, 2019. As usual, it’s an encyclopedic compendium of “plays, poems, paintings, reviews, stories, and collaborations galore” from across the international avant garde spectrum, including work from Lynn Strongin, Jeff Bagato, Pete Spence, Kyle Hemmings, Seth Howard, Andrew Topel,  Jim Leftwich, Steve Potter, Sanjeev Sethi, David Baptiste Chirot, Alison Ross, Mike Callaghan, John M. Bennett, Stephen Bett, Jim Meirose, Joel Chace, John Bradley, Dah, Ian Ganassi, Laura Bell, Emilio Morandi, Steve Dalachinsky, Jacob Kobina Ayiah Mensah, R. Keith, Cecelia Chapman, Keith Polette, Daniel de Culla, M. Liberto Gorgoni, Olivier Schopfer, Mary Cresswell, Jack Galmitz, Anton Yakovlev, B. J. Muirhead, Nina Živančević, Gregory Kimbrell, Cameron Lowe, Pat Nolan, Richard Kostelanetz, Daniel f. Bradley, Sheila E. Murphy, Adam Fieled, Bill Wolak, Márton Koppány, M.J. Iuppa, Gregory Stephenson, Elaine Woo, Karl Kempton, J. D. Nelson, Carol Stetser, Neil Leadbeater, Texas Fontanella, Tony Mancus & CL Bledsoe, gobscure, David Lohrey, Douglas Barbour, Keith Higginbotham, Guy R. Beining, Sarah Sarai, hiromi suzuki, Thomas Fink, Maya D. Mason, Carla Bertola, Tom Beckett, Randee Silv & Mumtazz, Mark DuCharme, Michael O’Brien, Elmedin Kadric, Keith Nunes, Bob Heman, John Kalliope, Rebecca Ruth Gould, Charles Borkhuis, Tony Beyer, Kenneth Rexroth, Maralena Howard, Stu Hatton, Michael Brandonisio, Brian Glaser, Penelope Weiss, Stephen Nelson, Tom Daley, Bernie Earley, Anna Cates, Jeff Harrison, John Levy, Vernon Frazer, Miro Sandev, Sabine Miller,  Christopher Barnes, Nick Nelson, Jimmy Rivoltella, Katrinka Moore, Joe Balaz, Marilyn Stablein, Paul Pfleuger, Jr., John Pursch, Joseph Buehler, Colleen Woods, Michael Philip Castro, Michael Prihoda, Henry Crawford, Wes Lee, & Gay Beste Reineck.

I’m very pleased to be in the bunch with one text work and five asemic calligraphy pieces.

“Flip Processor II” is actually a “short story” about two AI robots conducting business transactions in a proprietary language consisting of a limited vocabulary and specific syntax. You can check out this work here.

flip-2-otoliths

asemic-otoliths-53

One poem and five asemic works in Angry Old Man

AOM 6 coverOnline experimental lit journal Angry Old Man released Issue 6 today, with another great roster of visual, text and video work from across the spectrum of the international literary avant garde. I’m pleased to be represented by one text piece and five asemic calligraphy works. The text piece is part of a new series of experiments involving a very restricted vocabulary intended to mirror the kind of language invention of an AI transaction robot. View the text piece here, and the asemic calligraphy here.

AOM 6 flip

AOM 6 asemic

“Dear Stone Magic” published in Futures Trading

futures trading 6.1

The latest issue of online experimental literary journal Futures Trading #6.2 went live yesterday (Jan 6). Another one of those “who’s who” anthologies of the international avant lit underground, this number includes work from Mercedes Lawry, Sanjeev Sethi, Annie Blake, Kyle Hemmings, James Fowler, Stephen Middleton, Mark Young, Christopher Barnes, Joe Balaz, James Kincaid, Glenn Ingersoll, John Marvin, Patrick Theron Erickson, Joel Streicker, Simon Perchik, Donald E. Gasperson, and John Dorroh.

I’m pleased to say one of my poems from the Civilization’s Lost series also made the cut; it’s called “Deer Stone Magic,” revolving around the deer stone pillars of the Mongolian plains. You can read the piece (and the whole issue) here. Be sure to scroll all the way down for the Mad Hatter’s teacup!

fut-trading deer stone

“Pussy Pulls the Trigger” published in Danse Macabre

danse macabre 119

Online literary journal Danse Macabre, “a magazine of the imaginative, the magical, the ethereal, the supernatural, the dark, the absurd, and  the unknown,” released Issue 119 “Les Etrennes” today. The works of the authors you see above are joined by one of my Doom Pussy stories. A violent rant from a Kali-like figure at war with mankind, “Pussy Pulls the Trigger” should come with one of those NSFW warnings, as it is intended only for a mature audience with strong constitutions and a taste for extreme, transgressive literature. Anyway, you can read the full text here.

pussy-trigger-dm 119

Three Gonch poems published in M58

gonch-m58

Online experimental poetry journal M58 published three of my Gonch poems today: “Nonclaganall Anlachan Clach Galachonag,” “Callanach an Lag Ongana,” and “Onla Onla Callanagan Hoggaach.” You can read them here.

These pieces were composed in “Gonch language” with an alphabet restricted to the letters in the nonsense phrase “all gonch.” With the current breakdown in the semantic values of (American) English, a need has arisen for a new language for future communications. Perhaps Gonch will be that language. Perhaps not.