Word For/Word is a journal of new writing in online and print on demand formats. Issue 37 was recently published, including a wide range of text and visual poetry, as well as an interesting article on “liminalism.” I’m pleased to be included with five visual poems with asemic elements, part of a series that represents a kind of diary from an extraterrestrial colony world. You can check it out here.
The Southern Winter edition of Australian based online lit mag Otoliths, Issue #62, was released today. Every issue of Otoliths functions as an index or encyclopedia of the current streams and practitioners of the literary avant garde, and this one is no exception. As editor Mark Young writes: “It’s another lively issue with a mix of short story, review, photography, poetry, painting, & collage in a variety of styles, by an outstanding list of contributors, often in collaboration, from around the globe.”
I’m pleased to be represented in the mix with ten pieces of asemic visuals created last summer using a stash of junk I found on the street over the previous couple decades. You can check them out here.
A bilingual literary journal (texts in French or English) with outsider leanings, Datura just released its 12th issue today featuring poetry, rants, a book review, and interesting collages by Claudio Parentela. In France it’s available in print, online for rest of the world. The issue also includes two of my poems: “Milking an Elephant for Toothpaste in the Jungle” and “Sucking Soap on a Rope.” You can read them here.
The June 2021 issue of online Italian literary journal Utsanga (#28) was released yesterday. As always, it presents a broad range of text and visual works from the international avant garde literary scene, encompassing asemic scripts, visual poems, video works, art installations, criticism, and extended literary modes. I’m pleased to be represented with another installment of my “Xtro diary” series, featuring tape sampled images and asemic writing. You can check it out here.
Otoliths #61, the southern autumn 2021 issue, was released today. It’s jam packed as always with great text, visuals and hybrid works from writers and artists from around the world, reflecting the broad range of literary experimentation in the current era. I’m pleased to be included with nine pieces of visual poetry with asemic elements from a series that seems like diary excerpts from an extraterrestrial colony world. You can check them out here.
Chiron Review recently released its Spring 2021 issue, #121. It’s a print-only literary journal carrying the flag of high quality outsider poetry and fiction. I’m pleased to be included with one poem, “This Naked Morning.”
Mad Swirl is an online poetry and art journal based in Dallas, TX, showcasing lots of fun and funky writing and imagery. I’m pleased to be included again with my poem “The Joys of Serf Culture,” which was just released today. You can check it out here.
I’m also a contributing poet on the Mad Swirl site; you can find my page and the other poems they’ve published here.
StampZine is an assembling magazine, composed of individual pages sent in by mail artists. Each issue is a snapshot of the network at the time of compilation. Aside from a size restriction, StampZine requires all pages to use rubber stamps in some manner. Here are the pages from StampZine #38.
The Summer 2021 issue of Rat’s Ass Review was released today providing some essential reading for vacations and lazy days. I’m pleased to be included with one poem, “Getting a Taste of a New Perspective.” You can read it all here.
Datura is a print and online literary journal “of deviant and defiant work” published in French and English. Datura issue 11, dated March 2021, was just released. Full contents below:
• Docteur Burz: editorial
• Jeff Bagato: Asemic Epitaph, March of the Antelops, Toothpast Comes to Town, and Lullaby for Ouija (poetry)
• Alain Lasverne: Adoption en cours (récit)
• John Tustin: Another Box, Dying in a Place, I Ease into my Seat, There will Never Be Peace upon the Streets of my Heart, and Wings Clipped (poetry)
• Stéphane Casenobe: CE QUI PERDURE POUR NOUS PERDRE, LA FACE INCONNAISSABLE DU JOUR, ET DEVIER LA MAIN QUI ECRIT !, SIGNE DE MAIN ET DEPART ?, TOUT M’EST DÛ CAR JE SUIS PAUVRE ! et DE LÁ J’HESITE ? (poésie)
• Christopher Barnes : What the Street Remembers 11 to 15 (poetry)
• Léonel Houssam: extrait de Notre République (roman)
I’m pleased to be represented with four poems: “Asemic Epitaph,” “March of the Antelopes,” “Toothpaste Comes to Town,” and “Lullabye for Ouija.” You can read them on Issu here.