Otoliths #61, the southern autumn 2021 issue, was released today. It’s jam packed as always with great text, visuals and hybrid works from writers and artists from around the world, reflecting the broad range of literary experimentation in the current era. I’m pleased to be included with nine pieces of visual poetry with asemic elements from a series that seems like diary excerpts from an extraterrestrial colony world. You can check them out here.
Chiron Review recently released its Spring 2021 issue, #121. It’s a print-only literary journal carrying the flag of high quality outsider poetry and fiction. I’m pleased to be included with one poem, “This Naked Morning.”
Mad Swirl is an online poetry and art journal based in Dallas, TX, showcasing lots of fun and funky writing and imagery. I’m pleased to be included again with my poem “The Joys of Serf Culture,” which was just released today. You can check it out here.
I’m also a contributing poet on the Mad Swirl site; you can find my page and the other poems they’ve published here.
StampZine is an assembling magazine, composed of individual pages sent in by mail artists. Each issue is a snapshot of the network at the time of compilation. Aside from a size restriction, StampZine requires all pages to use rubber stamps in some manner. Here are the pages from StampZine #38.
The Summer 2021 issue of Rat’s Ass Review was released today providing some essential reading for vacations and lazy days. I’m pleased to be included with one poem, “Getting a Taste of a New Perspective.” You can read it all here.
Datura is a print and online literary journal “of deviant and defiant work” published in French and English. Datura issue 11, dated March 2021, was just released. Full contents below:
• Docteur Burz: editorial
• Jeff Bagato: Asemic Epitaph, March of the Antelops, Toothpast Comes to Town, and Lullaby for Ouija (poetry)
• Alain Lasverne: Adoption en cours (récit)
• John Tustin: Another Box, Dying in a Place, I Ease into my Seat, There will Never Be Peace upon the Streets of my Heart, and Wings Clipped (poetry)
• Stéphane Casenobe: CE QUI PERDURE POUR NOUS PERDRE, LA FACE INCONNAISSABLE DU JOUR, ET DEVIER LA MAIN QUI ECRIT !, SIGNE DE MAIN ET DEPART ?, TOUT M’EST DÛ CAR JE SUIS PAUVRE ! et DE LÁ J’HESITE ? (poésie)
• Christopher Barnes : What the Street Remembers 11 to 15 (poetry)
• Léonel Houssam: extrait de Notre République (roman)
I’m pleased to be represented with four poems: “Asemic Epitaph,” “March of the Antelopes,” “Toothpaste Comes to Town,” and “Lullabye for Ouija.” You can read them on Issu here.
Var (2x) is an online literary journal by the makers of X-Peri reserved for the most extreme literary experiments. I’m pleased to have (finally) made the cut with an excerpt from Floral Float Flume: Flue Flit Flip, a novel about AI units engaged in a series of marketplace transactions. This selection comprises about 18 pages, or the first four episodes out of ten. The whole story runs 70 manuscript pages.
The vocabulary of the piece is severely limited to words beginning with “fl-“. What you see is not a random selection of words but a precise narrative with specific meaning and syntax. Four letter words are operations; five letter words are objects. To start with, “Floral Float Flume” is the name of one of the transactional AI units, and “flue flit flip” translates as “enter offer profit,” a kind of “vini vidi vici” for transactional AIs.
If you dare, you can read the selection here.
Swifts and Slows is a quarterly online publication of Arteidolia literary journal which focuses exclusively on collaborations between artists. Issue 10 was just published for March, featuring a wide variety of multidisciplinary interactions including music, video, art and text. I’m pleased to be included with a rather unusual collaboration: three of my trash vispo works were published alongside notes and critical commentary by Daniel Barbiero. I usually work in isolation, so it’s a rare privilege to get a look at how someone perceives the results of my experiments. In a way, this project is a three way collaboration, as the vispo were composed using trash gathered and mailed to me by my friend David Craig. You can check it out here.
Stamp Zine is an assembling magazine focusing on rubber stamp images. Contributors create 20 pages, and the total are compiled into individual issues. Stamp Zinessue #37 was recently issued, and I’m pleased to be included with the page shown above in front and back views. The other pages in the issue are pictured below.
This one’s a bit complicated…Autumn House Journal opened and closed last year, and then reappeared this year with a new name: Autumn House Review. So the new/old November 2020 issue was published January 2021. It includes my prose poem/flash fiction piece “A Kiss of Fog.” I’m pleased it’s been returned to the online world. You can read it here.