Word For/Word is a journal of new writing in online and print on demand formats. Issue 37 was recently published, including a wide range of text and visual poetry, as well as an interesting article on “liminalism.” I’m pleased to be included with five visual poems with asemic elements, part of a series that represents a kind of diary from an extraterrestrial colony world. You can check it out here.
The Southern Winter edition of Australian based online lit mag Otoliths, Issue #62, was released today. Every issue of Otoliths functions as an index or encyclopedia of the current streams and practitioners of the literary avant garde, and this one is no exception. As editor Mark Young writes: “It’s another lively issue with a mix of short story, review, photography, poetry, painting, & collage in a variety of styles, by an outstanding list of contributors, often in collaboration, from around the globe.”
I’m pleased to be represented in the mix with ten pieces of asemic visuals created last summer using a stash of junk I found on the street over the previous couple decades. You can check them out here.
The June 2021 issue of online Italian literary journal Utsanga (#28) was released yesterday. As always, it presents a broad range of text and visual works from the international avant garde literary scene, encompassing asemic scripts, visual poems, video works, art installations, criticism, and extended literary modes. I’m pleased to be represented with another installment of my “Xtro diary” series, featuring tape sampled images and asemic writing. You can check it out here.
Otoliths #61, the southern autumn 2021 issue, was released today. It’s jam packed as always with great text, visuals and hybrid works from writers and artists from around the world, reflecting the broad range of literary experimentation in the current era. I’m pleased to be included with nine pieces of visual poetry with asemic elements from a series that seems like diary excerpts from an extraterrestrial colony world. You can check them out here.
Var (2x) is an online literary journal by the makers of X-Peri reserved for the most extreme literary experiments. I’m pleased to have (finally) made the cut with an excerpt from Floral Float Flume: Flue Flit Flip, a novel about AI units engaged in a series of marketplace transactions. This selection comprises about 18 pages, or the first four episodes out of ten. The whole story runs 70 manuscript pages.
The vocabulary of the piece is severely limited to words beginning with “fl-“. What you see is not a random selection of words but a precise narrative with specific meaning and syntax. Four letter words are operations; five letter words are objects. To start with, “Floral Float Flume” is the name of one of the transactional AI units, and “flue flit flip” translates as “enter offer profit,” a kind of “vini vidi vici” for transactional AIs.
If you dare, you can read the selection here.
Online “journal of new writing” Word for/Word is a great source for experimental text and visual work covering a wide range of styles and modes from contributors across the international avant garde. Wf/W issue #36 was just released for Winter 2021, to get the year off to a good start. I’m very pleased to be represented with five vispo works from my Xtro Diary series. These feature tape samplings and asemic calligraphy. You can check them out here.
X-Peri is an online blog dedicated to “high experimentalism”, which means this is always a challenging and fun read. I’m very pleased to be represented again with two text pieces, “Mermaid Gold” and “Plenty Magic,” plus an abstract glitch video still. The texts are part of a series of experiments involving an attempt to recreate the language of AI computers, these specifically using a vocabulary limited to American magical thinking. You can check them out here.
Otoliths #58 (Southern Winter 2020) was just released today, as usual packed with “wide ranging-array of wide-ranging material” (according to editor Mark Young)–all in an avant garde vein. Vispo, video, text, etc–essential viewing as quarantines continue through the fall.
I’m pleased to be represented with two “magic gravy” poems: “Gravy Binge” and “Rainbow Kettle.” These pieces are extension of my AI language experiments using a vocabulary restricted to the highlights of American magical thinking. You can read the full texts here. There are also ten pieces of vispo with asemic calligraphy, continuing a selection of entries from a scientific diary of an extraterrestrial colony world. These can be found here.
Issue 24 of Italian avant lit journal Utsanga was released yesterday, packed with great cutting edge works of asemic writing, text poems, vispo, videos, installation documentation, essays on poetics, and more. New stuff from Martina Stella, Francesco Aprile, John Bennett (many collaborations), Méryl Marchetti, Nico Vassilakis, Kiyomitsu Saito . . . So much good stuff it’s impossible to mention it al! Just go to their site and browse around!
I’m pleased to be included with ten visual poems from a series comprising a kind of diary from an extraterrestrial colony world, made with tape sampled imagery and asemic calligraphy. You can check them out here.
Still image from a video posted to YouTube here.