Angry Old Man is one of the best online journals out there for experimental words and images. AOM issue #5 was just released, filled with great contributions from the international avant garde poetry scene. I’m pleased that several of my works are included: three text poems from my “robot language” series–“Paradise in a Pill,” “This is What We Know,” and “Your Body Is Waiting”–plus five video stills that represent part of an alien asemic alphabet. You can view the images here, and read the poems here
The texts form part of a new series of experiments inspired by the Facebook AI units that recently developed their own language using English words with different syntax and meaning. The AI units were intended to carry out customer service transactions and negotiations, and the format of their language seems to be a powerful way to confront and manipulate the continuous stream of commercial messages invading our mental space. I’ve written more about this work here.
Each of these three pieces were initiated by phrases contained in spam emails that seemed evocative of something more mysterious or sinister…like something a robot would say when addressing an audience of meatbags.
Experimental poetry journal Avant Appal(achia)‘s Issue #6 went live today. Nice selection of interesting text and visual work. This one also includes my poem “You Need a New Heart,” one of a series of pieces based on the idea of an imaginary AI transactional language. You can read the piece and the whole issue here.
This text forms part of a new series of experiments inspired by the Facebook AI units that recently developed their own language using English words with different syntax and meaning. The AI units were intended to carry out customer service transactions and negotiations, and the format of their language seemed to be a powerful way to confront and manipulate the continuous stream of commercial messages invading our mental space.
These texts represent an attempt to replicate a machine code constructed from an extremely limited vocabulary, often initiated by spam emails. Each piece develops by permutations, repetition, and sound/rhythm. It’s impossible for the human observer to know if the machine is analyzing or tabulating data, performing a calculation, conducting a negotiation, or making a persuasive appeal. Any of these functions is a possibility. In a way, the texts are a form of speculative fiction: looking at a machine narrative pulled from a future where AIs have been released to perform functions on their own. As in the case of the Facebook AIs, these instances show a machine or machines adapting human (English) language for their own ends. The repetition of the key words imitates a transactional language, as if a carnival barker is repeating an appeal to a potential audience. But the end result also reminds me of a magical incantation appealing to a familiar spirit.
Speculative fiction magazine The Colored Lens published my short story “A Diamond in the Mind’s Eye” in their Summer 2017 issue #24. You can buy a Kindle copy of the whole issue here. The story itself just went live on the magazine’s homepage today; you can read it here.
The story follows an explorer who has been tracking a legendary giant diamond across the galaxy. What he finds is more disappointing than he expected, and ultimately far more valuable.
I’ve published a few stories before, but this is my first paid piece.