The Southern Winter 2022 issue of Otoliths was released today, being #66 and including the usually encyclopedic assortment of avant gardists and work in a variety of modes including text, visual, and hybrid. I’m pleased to be represented once again with a selection of ten works of asemic vispo composed of junk I accumulated over decades of collecting from the street and other random places. Also five poems from the most recent batch of pieces, which have been fermenting for a while. You can check out the vispo here and the text work here.
Otoliths issue #65, dated Southern Autumn 2022, was recently released. This issue marks the beginning of the seventeenth year of the journal’s existence! As usual, it contains a mix of — sometimes mixed — photographs, paintings, short stories, poetry, interviews, magazine columns, & manifestos from an international contributor list, reading like a who’s who of the literary avant garde. Check the contents link above to scan the full range of writers and artists in this issue.
I’m pleased to be represented in this issue with text and visual works. First, a poem entitled “Going Golden,” which continues a radical strain of my experiments with anticipating the dialog innovations of Artificial Intelligence transaction units. Second, a set of asemic vispo made with pieces of junk found on sidewalks and streets over many years. Check out the poem here, and the vispo here.
Var(2x) is an online literary magazine for “extreme experimentalism” that always lives up to its stated intent. Editors Daniel Harris and Irene Koronas seek to publish the “elite of the elite” in experimental writing; this journal doesn’t just define the cutting edge, the texts usually go way over that edge for a good close look at the abyss of text and visual poetry and other language related hybrids.
I’m very pleased to make a second appearance in the journal with a text poem (?) called “Maker Taker Quaker.” This piece came out of my explorations of speculative languages that could potentially be developed by AI units. The text proceeds by triads of imaginary and real words with similar rhyming constructions and sometimes alliterative qualities. Is it a love song, a transaction, a spell, a negotiation? Only the AIs of the future will know.
The video still illustrating the piece is also my work.
You can read the text here.
Online lit journal Mad Swirl has published a “best of” issue for the past five years; the volume for 2021 was just released and is now available in print on Amazon. I’m very pleased to be included with my poem “The Joys of Serf Culture,” which appeared in the journal last April.
Here’s the book hype direct from Mad Swirl editor Johnny Olson:
“2021 has been yet another extraordinarily challenging year. Thru it all, Mad Swirl was there, every one of the 365 days of this twisted year. We didn’t miss a beat. Those beats are what you’ll get when you dig into this year’s collection. Get your firsthand view of one helluva of a f*cking year. The Best of Mad Swirl : v2021 is a 107-page anthology featuring 52 poets, 12 short fiction writers, and four artists hailing from 5 continents (Africa, Asia, Australia, Europe, & North America); 15 countries (Australia, Bulgaria, Canada, England, Germany, India, Ireland, Israel, Italy, Montenegro, Nigeria, Romania, Singapore, Syria, & USA [20 States]). We editors reviewed the entire year’s output to ensure this collection is truly “the best” of MadSwirl.com! The works represent diverse voices and vantages which speak to all aspects of this crazy swirl we call ‘life on earth.’
“Mad Swirl is an arts and literature creative outlet. It is a platform, a showcase, and a stage for artistic expression in this mad, mad world of ours; a diverse collection of as many poets, artists, and writers we can gather from around the world; from Nepal to Ireland, from England to China, from California to New York City and all the places in between. Our Poetry Forum features works from over 170 contributing poets, our Short Story Library has over 40 participating writers and our Mad Gallery has over 50 resident artists.”
Contributors include: Artists: J Gregory Cisneros, Alan Murphy, Thomas Riesner, Bleak Teeth
Poets: Jeff Bagato, Tohm Bakelas, Jon Bennett, Luis Cuauhtémoc Berriozábal, Jean Biegun, Jean Bohuslav, Casey Bush, Laurie Byro, PW Covington, John Dorroh, J.K. Durick, Michael Estabrook Joseph Farley, Robert Fleming, Susie Gharib, Iulia Gherghei, KJ Hannah Greenberg, John Grey, Paul Hostovsky, Ojo Victoria Ilemobayo, Mike James, Ivan Jenson, Sally Jo, Ferris Jones, Carl Kavadlo, Vyarka Kozareva, Padmini Krishnan, Tyler Malone, Robert L. Martin, Tom Montag, Ian Mullins, Madelyn Olson, Johnny Olson, Brittany M. Ortega, Irena Pasvinter, Patty Dickson Pieczka, Timothy Pilgrim,, Randall Rogers, Madu Chibueze Romanus, Sreemani Sengupta, Beate Sigriddaughter, Susandale, David Susswein, Rp Verlaine, Isaiah Vianese, Agnes Vojta, Trier Ward, Richard Weaver, Stefan White, Stephen Jarrell Williams, Catherine Zickgraf, Milenko Županović
Fiction: Jim Bates, Glenn Bresciani, Mike Fiorito, Susie Gharib, Jeff Grimshaw, Prapti Gupta, Flora Jardine, James Lawless, Edward N. McConnell, Vivek Nath Mishra, Randall Rogers, Chuck Taylor
Otoliths #64, the Southern Summer Issue, was just released, containing the usual encyclopedic overview of the international experimental lit scene, with text, visuals, video and hybrids galore. I’m pleased to be represented once again with one text piece, “Magic Pattern” and ten more asemic vispo made from junk I found on the street over a couple decades. The text is an extension of my AI language experiments using a vocabulary referring to American magical thinking of the current moment. You can read the text here and witness the visuals here.
The latest issue of Washington, DC, based literary magazine Gargoyle, number 74, was recently released in print only format. A massive tome at over 450 pages, it includes nonfiction, poetry and fiction by: Kelli Allen, Roberta Allen, Robert R Angell, Cynthia Atkins, Naomi Ayala, Anne Becker, Nina Bennett, Jeanne Marie Beaumont, Joanna Biggar, John Bradley, Nick Carbo, Joan Colby, Andy Darlington, Kiki Denis, Buck Downs, Barbara Drake, Patricia Eakins, Dyane Fancey, Richard Flynn, DJ Gaskin, Robert L. Giron, Gabriele Glang, Jesse Glass, Regan Good, Pamela Gordon, Susan Gubernat, Robert Head, Joyce L. Huff, Beth Baruch Joselow, Ken Kakareka, John Kinsella, Roz Kuehn, Patrick Lawler, Willard Manus, Dora E. McQuaid, Nancy Mercado, Gary Metras, Gloria Mindock, Mary B. Moore, Mary Morris, Mihaela Moscaliuc, Fred Muratori, Emile Nelligan, Kathleen Novak, Mary Overton, Che Parker, Meg Pokrass, Suzanne S. Rancourt, Suzanne Rhodenbaugh, Jonathan K. Rice, Jeff Richards, Julia Slavin, Todd Swift, Eleanor Ross Taylor, JC Todd, Pat Valdata, Michael Waters, Tom Whalen, Rosemary Winslow, and tons more.
I’m pleased to be included in this issue with five very short stories. Perhaps you could call them “flash fictions”: “Air,” “Good Sign,” “Guessing Games,” “Lingering,” and “Normal.” The images are integral to each work, although the texts may or may not be related.
For some reason, the story “Normal” is entitled “Unknown” in print!
A new issue of Otoliths is always an event. The quarterly online literary and arts journal presents an encyclopedic cross section of current avant garde literary and visual experiments from a host of international contributors. It’s a one stop shop for a view of the contemporary experimental scene. Otoliths #63, the “Southern Spring issue” was released yesterday, and it is no exception. Essential reading and viewing.
I’m pleased to be represented in this issue with a selection of visual and text poems from my most recent work. There are ten pieces of vispo composed from a treasure trove of junk I found on the street over decades of scrounging. They can be viewed here. This series can be considered “junk asemic” visual poems, but I really need to come up with a better title for it. The text pieces are part of a large stash of my newest poetry, much more fragmentary in style. These include “If you’re there,” “What awesome was,” “told best,” “Nowhere and Whittaker,” and “recall this dimmer.” You read them here.
Fresh off the digital press, the Winter 2021 issue of Rat’s Ass Review is once again full of great poetry. I’m pleased to be included once again with my poem “Sea of Shadows.” This piece is sort of “mermaid horror” in a darker and more formal style than I usually work in. You can read the full piece here. The pieces are arranged alphabetically by author’s last name.
My poem “All the World’s an ATM” appeared in the online lit journal Mad Swirl yesterday. Just in time for Halloween, the piece is part of a series featuring Ouija as a character, contemplating the world through the vagaries of language. You can read it here. I also have a poetry page on the Mad Swirl site which contains all my poems they’ve published.
An “online journal of voice,” BlazeVox just published its Fall 2021 issue (being #21 in a series), featuring contemporary poetry, vispo, fiction and nonfiction. The issue includes two of my poems from the Civilization’s Lost series: “Tomb of a New Religion” and “Swimming to Shangri-La.” These are the last pieces from that series to be published. You can read them here.
“Tomb of a New Religion” is loosely based on a legend of the native people of Pohnpei, in Micronesia, which goes back to the time of the sunken city of Nan Madol. This island culture is known for megalithic constructions build from massive volcanic basalt columns.