Otoliths #67, the Southern Spring 2022 issue, dropped on October 31 just in time for Halloween. Puns about the issue being filled with both tricks and treats aside, it’s another encyclopedic view of the international literary avant garde with visual poetry, art work, text pieces, essays and hybrid forms from around the world. Check out the contents here.
I’m pleased to be represented by a selection of visual and text pieces, including an asemic video called “Silent Letters,” which includes some of my original experimental electronic music, and ten stills from the video. These are asemic vispo in themselves. Five text pieces of recent vintage round off my contributions: “Glass Ladder,” “Game On,” “What We Did,” “din dings,” and “those who repeat it.” You can check out the vispo here and the text works here.
The Southern Winter 2022 issue of Otoliths was released today, being #66 and including the usually encyclopedic assortment of avant gardists and work in a variety of modes including text, visual, and hybrid. I’m pleased to be represented once again with a selection of ten works of asemic vispo composed of junk I accumulated over decades of collecting from the street and other random places. Also five poems from the most recent batch of pieces, which have been fermenting for a while. You can check out the vispo here and the text work here.
A new issue of Otoliths is always an event. The quarterly online literary and arts journal presents an encyclopedic cross section of current avant garde literary and visual experiments from a host of international contributors. It’s a one stop shop for a view of the contemporary experimental scene. Otoliths #63, the “Southern Spring issue” was released yesterday, and it is no exception. Essential reading and viewing.
I’m pleased to be represented in this issue with a selection of visual and text poems from my most recent work. There are ten pieces of vispo composed from a treasure trove of junk I found on the street over decades of scrounging. They can be viewed here. This series can be considered “junk asemic” visual poems, but I really need to come up with a better title for it. The text pieces are part of a large stash of my newest poetry, much more fragmentary in style. These include “If you’re there,” “What awesome was,” “told best,” “Nowhere and Whittaker,” and “recall this dimmer.” You read them here.
The Southern Winter edition of Australian based online lit mag Otoliths, Issue #62, was released today. Every issue of Otoliths functions as an index or encyclopedia of the current streams and practitioners of the literary avant garde, and this one is no exception. As editor Mark Young writes: “It’s another lively issue with a mix of short story, review, photography, poetry, painting, & collage in a variety of styles, by an outstanding list of contributors, often in collaboration, from around the globe.”
I’m pleased to be represented in the mix with ten pieces of asemic visuals created last summer using a stash of junk I found on the street over the previous couple decades. You can check them out here.
The June 2021 issue of online Italian literary journal Utsanga (#28) was released yesterday. As always, it presents a broad range of text and visual works from the international avant garde literary scene, encompassing asemic scripts, visual poems, video works, art installations, criticism, and extended literary modes. I’m pleased to be represented with another installment of my “Xtro diary” series, featuring tape sampled images and asemic writing. You can check it out here.
Otoliths #61, the southern autumn 2021 issue, was released today. It’s jam packed as always with great text, visuals and hybrid works from writers and artists from around the world, reflecting the broad range of literary experimentation in the current era. I’m pleased to be included with nine pieces of visual poetry with asemic elements from a series that seems like diary excerpts from an extraterrestrial colony world. You can check them out here.
Otoliths #58 (Southern Winter 2020) was just released today, as usual packed with “wide ranging-array of wide-ranging material” (according to editor Mark Young)–all in an avant garde vein. Vispo, video, text, etc–essential viewing as quarantines continue through the fall.
I’m pleased to be represented with two “magic gravy” poems: “Gravy Binge” and “Rainbow Kettle.” These pieces are extension of my AI language experiments using a vocabulary restricted to the highlights of American magical thinking. You can read the full texts here. There are also ten pieces of vispo with asemic calligraphy, continuing a selection of entries from a scientific diary of an extraterrestrial colony world. These can be found here.
Issue 24 of Italian avant lit journal Utsanga was released yesterday, packed with great cutting edge works of asemic writing, text poems, vispo, videos, installation documentation, essays on poetics, and more. New stuff from Martina Stella, Francesco Aprile, John Bennett (many collaborations), Méryl Marchetti, Nico Vassilakis, Kiyomitsu Saito . . . So much good stuff it’s impossible to mention it al! Just go to their site and browse around!
I’m pleased to be included with ten visual poems from a series comprising a kind of diary from an extraterrestrial colony world, made with tape sampled imagery and asemic calligraphy. You can check them out here.