Brave New Word #18 was just released yesterday. It’s a journal that’s always challenging and fun. As usual, lots of interesting text and visual work from across the international avant garde literary scene. I’m pleased to be included with three poems that explore the idea of AI language: “Bust a Cheater,” “Free Zero,” and “Cruise This Summer.” You can read them here.
Otoliths #58 (Southern Winter 2020) was just released today, as usual packed with “wide ranging-array of wide-ranging material” (according to editor Mark Young)–all in an avant garde vein. Vispo, video, text, etc–essential viewing as quarantines continue through the fall.
I’m pleased to be represented with two “magic gravy” poems: “Gravy Binge” and “Rainbow Kettle.” These pieces are extension of my AI language experiments using a vocabulary restricted to the highlights of American magical thinking. You can read the full texts here. There are also ten pieces of vispo with asemic calligraphy, continuing a selection of entries from a scientific diary of an extraterrestrial colony world. These can be found here.
Another massive installment of Otoliths, something of a journal of record for the international avant garde lit scene, was just released yesterday. This is Issue 57, for Southern Autumn 2020 (as it’s edited in Australia). Tons of new visual poetry, text work, poetry, poetics, etc (all the unclassifiable stuff) for passing the quarantined time and sharing with your socially isolated friends.
I’m very pleased to be part of this issue “Sparkle Plenty,” a long poem based on a restricted vocabulary drawn from American magical thinking in a form that could be some programming sent from one Artificial Intelligence to another. Only 2 of 12 stanzas are represented below. Also, ten pieces of visual poetry with asemic calligraphy, part of a much larger set of work that may comprise the log book of a human colony on an extraterrestrial world. You can check it out here.
X-Peri is an online blogozine for “high experimentalism,” which seems to mean really deep space language play judging by previous installments. I’m pleased to be part of it with the journal’s last post of the year, published yesterday, Dec 23. There are four poems written in “gonch” language, which means words composed from the letters of the phrase “all gonch”: “Chac Ghanagan Colhaggach Angacalla,” “Ocanongna,” “Anga Hagna Cagacna,” and “Nallanach Choc Hanol.” Plus one image from the Gonchlog made from letters drawn from some old issue of Rhapsody magazine. You can check it all out here.
Very excited to see the new issue of Utsanga released today–this one their 22nd issue. Lots of asemic and visual poetry here from across the international avant garde, including John Bennet, Texas Fontanella, Volodymyr Bilyk, Mark Young, and many more I should be more familiar with. I’m pleased to be included with five pieces of asemic vispo from a new series of work that seems very much like a journal from a far future human colony world on another planet. You can check it out here.
Just released, Otoliths #55, the Southern Autumn 2019 issue, is jam packed as usual with fine text, vispo and hybrid experiments from across the international literary avant garde. I’m pleased to be represented with two new texts, “Gravy Pills” and “Phantom Gold,” plus five new visual poems with asemic writing. You can view them here.
The texts continue experiments with AI language poems, this time using vocabulary drawn from the magical thinking of the average American. The vispo are a small selection from a kind of diary of a extraplanetary colony world.