A new issue of Otoliths is always an event. The quarterly online literary and arts journal presents an encyclopedic cross section of current avant garde literary and visual experiments from a host of international contributors. It’s a one stop shop for a view of the contemporary experimental scene. Otoliths #63, the “Southern Spring issue” was released yesterday, and it is no exception. Essential reading and viewing.
I’m pleased to be represented in this issue with a selection of visual and text poems from my most recent work. There are ten pieces of vispo composed from a treasure trove of junk I found on the street over decades of scrounging. They can be viewed here. This series can be considered “junk asemic” visual poems, but I really need to come up with a better title for it. The text pieces are part of a large stash of my newest poetry, much more fragmentary in style. These include “If you’re there,” “What awesome was,” “told best,” “Nowhere and Whittaker,” and “recall this dimmer.” You read them here.
Word For/Word is a journal of new writing in online and print on demand formats. Issue 37 was recently published, including a wide range of text and visual poetry, as well as an interesting article on “liminalism.” I’m pleased to be included with five visual poems with asemic elements, part of a series that represents a kind of diary from an extraterrestrial colony world. You can check it out here.
The Southern Winter edition of Australian based online lit mag Otoliths, Issue #62, was released today. Every issue of Otoliths functions as an index or encyclopedia of the current streams and practitioners of the literary avant garde, and this one is no exception. As editor Mark Young writes: “It’s another lively issue with a mix of short story, review, photography, poetry, painting, & collage in a variety of styles, by an outstanding list of contributors, often in collaboration, from around the globe.”
I’m pleased to be represented in the mix with ten pieces of asemic visuals created last summer using a stash of junk I found on the street over the previous couple decades. You can check them out here.
The June 2021 issue of online Italian literary journal Utsanga (#28) was released yesterday. As always, it presents a broad range of text and visual works from the international avant garde literary scene, encompassing asemic scripts, visual poems, video works, art installations, criticism, and extended literary modes. I’m pleased to be represented with another installment of my “Xtro diary” series, featuring tape sampled images and asemic writing. You can check it out here.
Otoliths #61, the southern autumn 2021 issue, was released today. It’s jam packed as always with great text, visuals and hybrid works from writers and artists from around the world, reflecting the broad range of literary experimentation in the current era. I’m pleased to be included with nine pieces of visual poetry with asemic elements from a series that seems like diary excerpts from an extraterrestrial colony world. You can check them out here.
Swifts and Slows is a quarterly online publication of Arteidolia literary journal which focuses exclusively on collaborations between artists. Issue 10 was just published for March, featuring a wide variety of multidisciplinary interactions including music, video, art and text. I’m pleased to be included with a rather unusual collaboration: three of my trash vispo works were published alongside notes and critical commentary by Daniel Barbiero. I usually work in isolation, so it’s a rare privilege to get a look at how someone perceives the results of my experiments. In a way, this project is a three way collaboration, as the vispo were composed using trash gathered and mailed to me by my friend David Craig. You can check it out here.
Issue sixty, the southern summer, 2021, issue of Otoliths is now live! According to editor Mark Young, this one marks fifteen years of the journal and “it maintains the eclectic & exciting mix of visuals & text that has graced it since its beginning.” Indeed, Otoliths seems to be something of the journal of record for the current incarnation of the international avant garde. Issue 60 is overloaded with contributions from over 100 artists, with many familiar to observers of the scene.
I’m pleased to be represented with ten examples of my “trash vispo” series, pieces composed of junk sent to me by my friend David Craig when he was living in Herndon, VA. Yes, he actually sent me the old latex glove and the plastic wrap from a toilet paper package. You can view the pieces here.
Online “journal of new writing” Word for/Word is a great source for experimental text and visual work covering a wide range of styles and modes from contributors across the international avant garde. Wf/W issue #36 was just released for Winter 2021, to get the year off to a good start. I’m very pleased to be represented with five vispo works from my Xtro Diary series. These feature tape samplings and asemic calligraphy. You can check them out here.
A brand new issue of Italian avant garde lit journal Utsanga was just published, this one is issue #26. Once again, it’s a huge compendium of cutting edge work from Italy and around the world. I’m pleased to be included once again with ten more visual poems I composed with flotsam and jetsam (aka, street trash) sent to me by my friend David Craig, with a few choice items I rounded up myself. You can check them out here.
Otoliths #59 was just released on November 1; this is the Southern Spring 2020 issue. Bigger and better than ever, this one is huge, loaded with more text, vispo, asemics, etc than I’ve seen yet.
I’m pleased to be part of this massive offering of avant garde manifestations with ten pieces of “Trash Vispo,” works composed of various bits of junk mailed to me over several decades by my friend David Craig. After holding this stuff for a long time, I finally figured out a good use for it! You can check it out here.