Very pleased to see the new issue of Otoliths released today. This is number 49, the “Southern Autumn” issue. It’s another huge compendium documenting the international “scene” for out-poetry in text, video, image and other (unknown) formats. Editor Mark Young titled my section of Gonch materials “The World According to Gonch.” That’s a phrase I wish I’d thought of myself. Anyway, it encompasses three text poems and eight images from the Gonchlog (example above).
The text pieces are all written using a language deriving from the nonsense phrase “All Gonch,” intending to explore the language and culture of a post-American landscape. In another phase of the Gonch project, I go through consumer magazines to remove the five letters of “Gonch” and affix them to accounting paper. The name of the magazine, its publication date and issue numbers are noted. So far I’ve done about 200 of these images.
The third issue of Angry Old Man journal was issued yesterday, this one including work from two phases of my Gonch project in a special section. This includes Gonch text poems based on a vocabulary improvised from the phrase “All Gonch,” as well as images of the word “Gonch” spelled out ransom-note style in letters cut out from consumer magazines.
From my note to editor Drew David: “I go through consumer magazines and cut out the five letters of “gonch” and glue them onto accounting paper. The intention is to draw out that key nonsense word from these propaganda vehicles in order to find the way forward. Or something like that. I’ve done about 200 of these images so far; the ones here are the first six that I did.”
Definitely check this issue out. Angry Old Man looks to be one of those journals of record for the contemporary avant garde scene, much like Otoliths. Not to be missed.
The first Otoliths of 2018 was released today; this is number 48 for the journal, and as usual it’s packed with innovative texts, visual poetry, and imagery from all over the world. The issue also includes some of my work: “Drowned Lands I-V” and seven film stills. The text work is part of my “Civilization’s Lost” series, examining the fragility of languages, cultures and nations. This piece is in five parts, each based on a different lost city, civilization or continent. You can read the full poem here.
The film stills can be found under another link here. All seven images come from a video that has yet to be edited into its final form. Some of the text was drawn from a spam email and reads “Feel the call of your body.” Other text comes from the captioning on the source footage. I recently recorded some new music, so perhaps that will motivate the final assembly of the video.
The second issue of Angry Old Man was unleashed on the world last night. A massive issue of experimental works in many media, this one contains my text poem “In the Engine Room with Bettie & Andrea” and six video stills. You can check out the full poem here, and the vispo here.
On of my favorite places for online inspiration, The New Post-Literate is a literary blog dedicated to asemic writing (that is, it appears to be writing, but may not have semantic function). Today five of my video stills with strong asemic elements appeared on the site. These come from an as-yet-unpublished piece, with text drawn from an older poem called “Shit on a Stick Corporation” published by Zombie Logic Press. You can check out all the images here.
H& is “an occasional journal of visual/concrete poetry and assorted other oddities.” Today, the vispo blog published another of the video stills from “Succubus Highway.” Although the text is distorted from the heavy video processing, the original reads “Wherever there are ruins/lies like flames/dance across time.” Full image available here.
Visual poetry blog H& features a wide variety of image based poems and pseudo-textual experiments. Yesterday, a video still from “Succubus Highway” was posted to the site. You can see the image here. The image includes text veering into asemic territory due to heavy video processing, but the original words read “Wherever there are ruins/lies like flames/dance across time.”
Otoliths#46, the southern autumn issue, is finally live on the web. A massive collection of visual, textual and video works, the issue includes my text poem “Hashing the Input” along with a link to the “Succubus Highway” video poem, and six stills from that video piece. The stills and video incorporate a section of the text piece: “lies like flames dance across time.” You can check out the whole package here.