Rat’s Ass Review is an online poetry journal filled with non-academic and outlaw work of serious intent and close attention to craft. The huge Winter 2020 issue was just released today. You can check it out here.
I’m very pleased to be represented with one poem, “Clawing with a Drumstick.” It’s fairly close to the top as you scroll down to read the full issue.
Utsanga #25 was just released today. This Italy-based experimental literary journal is overloaded with great work from across the international avant garde. Vispo, asemic works, video, sound poems, textual pieces…it’s all represented, and everything inspires. Just click the link to start browsing the contents.
I’m very pleased to be included with ten new works of visual poetry. I call this series “Trash Vispo” because it’s composed from random junk my friend David Craig picked up from the street and mailed to me from various places where he was living (Herndon, VA and Portland, OR) over the course of many years. Each manilla envelope was a time capsule gold mine of provocative flotsam that demanded to be arranged and preserved in time. You can check out my work here.
An online literary journal for extreme experimentalism, X-Peri publishes new work every Monday. Today, my science fiction story “Pussy Bomb/Earthquakes Bring Confusion” appeared on the site, with an accompanying still image from my video “Succubus Highway.” You can check it out here.
This text is part of a series of pieces featuring Doom Pussy, a kind of Kali-esque figure engaged in a war against war…as well as gender, environmental destruction, and other by products of human activity. An editor at another journal once described a Doom Pussy story as “a cross between William S. Burroughs and Andrea Dworkin.” This should come with an NSFW warning for extremely graphic language and situations. So I’m especially grateful to X-Peri for publishing it.
X-Peri is an online blog dedicated to “high experimentalism”, which means this is always a challenging and fun read. I’m very pleased to be represented again with two text pieces, “Mermaid Gold” and “Plenty Magic,” plus an abstract glitch video still. The texts are part of a series of experiments involving an attempt to recreate the language of AI computers, these specifically using a vocabulary limited to American magical thinking. You can check them out here.
Brave New Word #18 was just released yesterday. It’s a journal that’s always challenging and fun. As usual, lots of interesting text and visual work from across the international avant garde literary scene. I’m pleased to be included with three poems that explore the idea of AI language: “Bust a Cheater,” “Free Zero,” and “Cruise This Summer.” You can read them here.
Otoliths #58 (Southern Winter 2020) was just released today, as usual packed with “wide ranging-array of wide-ranging material” (according to editor Mark Young)–all in an avant garde vein. Vispo, video, text, etc–essential viewing as quarantines continue through the fall.
I’m pleased to be represented with two “magic gravy” poems: “Gravy Binge” and “Rainbow Kettle.” These pieces are extension of my AI language experiments using a vocabulary restricted to the highlights of American magical thinking. You can read the full texts here. There are also ten pieces of vispo with asemic calligraphy, continuing a selection of entries from a scientific diary of an extraterrestrial colony world. These can be found here.
Issue 24 of Italian avant lit journal Utsanga was released yesterday, packed with great cutting edge works of asemic writing, text poems, vispo, videos, installation documentation, essays on poetics, and more. New stuff from Martina Stella, Francesco Aprile, John Bennett (many collaborations), Méryl Marchetti, Nico Vassilakis, Kiyomitsu Saito . . . So much good stuff it’s impossible to mention it al! Just go to their site and browse around!
I’m pleased to be included with ten visual poems from a series comprising a kind of diary from an extraterrestrial colony world, made with tape sampled imagery and asemic calligraphy. You can check them out here.
A fun and exciting blog for experimental writing of all kinds, X-Peri rolls out new work every week. This week it is my turn, with one video still and two texts: “Get in on the Fun” and “Special Times.” The editors have titled this assortment “Two Facebook AI Units Before They Were Unplugged”–because that was my inspiration for this series of text work. These pieces attempt to create a new, ritualized vocabulary out of common words and phrases, representing a kind of transaction or negotiation. You can read the pieces here.
Another massive installment of Otoliths, something of a journal of record for the international avant garde lit scene, was just released yesterday. This is Issue 57, for Southern Autumn 2020 (as it’s edited in Australia). Tons of new visual poetry, text work, poetry, poetics, etc (all the unclassifiable stuff) for passing the quarantined time and sharing with your socially isolated friends.
I’m very pleased to be part of this issue “Sparkle Plenty,” a long poem based on a restricted vocabulary drawn from American magical thinking in a form that could be some programming sent from one Artificial Intelligence to another. Only 2 of 12 stanzas are represented below. Also, ten pieces of visual poetry with asemic calligraphy, part of a much larger set of work that may comprise the log book of a human colony on an extraterrestrial world. You can check it out here.
Just got the new issue of Chiron Review, #118 Spring 2020, in the mail, a bit in advance of the official release date. Lots of great work in this print-only poetry journal, one of the best of its kind remaining in the under-the-mainstream scene. I’m very pleased to be included with one of my poems, “Reaching for the Sun.” It’s another installment in a series about an imaginary relationship between the narrator and a woman named Billie. You can purchase copies of the issue from the Chiron Review website when it’s released.