The New Post-literate is an online literary blog dedicated to the exploration of asemic writing–that is, writing that looks like writing, but that cannot be deciphered by the reader. Today, the journal published seven still images from my video Silenced Scribes that each appear to be a letter from an unknown alphabet. You can check out the portfolio here.
Video work
Gnarled Oak #15 compilation published

The final issue of Gnarled Oak has been compiled as online and PDF issues, available free at the journal’s web page. Titled Walking through Clouds, this is issue number 15. The editor has been slowly publishing the contents piece by piece over the last month or so, and now the issue is complete. I’m pleased to say it includes my short video poem “Crushed Bits” alongside the textual micropoetry and microfiction. Short reads for your lazy summer dayz.

“Crushed Bits” video in Gnarled Oak

Today, my video poem “Crushed Bits” appeared in online poetry journal Gnarled Oak. This journal focused on shorter works. You can see the publication page here.
The text of the video comes from one of my “Civilization’s Lost” poems, “Cold Fortress.” The imagery is taken from a World War II documentary. I was trying to make a connection with the socio-political events of the present day, but it’s up to the viewer to decide the success of that.
5 video stills published in M58 journal

Just discovered that experimental poetry journal published five visual poems on March 12. Check out the images here.
These were pulled from my video Succubus Highway, which was previously published on YouTube.
“Drowned Lands I-V” and 7 film stills published in Otoliths #48

The first Otoliths of 2018 was released today; this is number 48 for the journal, and as usual it’s packed with innovative texts, visual poetry, and imagery from all over the world. The issue also includes some of my work: “Drowned Lands I-V” and seven film stills. The text work is part of my “Civilization’s Lost” series, examining the fragility of languages, cultures and nations. This piece is in five parts, each based on a different lost city, civilization or continent. You can read the full poem here.
The film stills can be found under another link here. All seven images come from a video that has yet to be edited into its final form. Some of the text was drawn from a spam email and reads “Feel the call of your body.” Other text comes from the captioning on the source footage. I recently recorded some new music, so perhaps that will motivate the final assembly of the video.
“In the Engine Room” and 6 vispo in Angry Old Man

The second issue of Angry Old Man was unleashed on the world last night. A massive issue of experimental works in many media, this one contains my text poem “In the Engine Room with Bettie & Andrea” and six video stills. You can check out the full poem here, and the vispo here.


“Silenced Scribes” video still

Still taken from the raw footage that became “Silenced Scribes.” Watch the finished video on YouTube here.
The original text reads “the words live on/despite the cold and dark/that silenced scribes.”
5 video stills published at The New Post-Literate

On of my favorite places for online inspiration, The New Post-Literate is a literary blog dedicated to asemic writing (that is, it appears to be writing, but may not have semantic function). Today five of my video stills with strong asemic elements appeared on the site. These come from an as-yet-unpublished piece, with text drawn from an older poem called “Shit on a Stick Corporation” published by Zombie Logic Press. You can check out all the images here.
Video still “Emit Damage” in H&

H& is a great blog covering “visual/concrete poetry and assorted other oddities.” Today, one of my video stills appeared there. You can check it out at full size here.
Secret flash frame from “The Movie’s On” video

The Tone Ghosting music video “The Movie’s On” contains a “secret” flash frame–basically a subliminal image–of the magician presenting the climax of his illusion. Did you spot it in the video? You can watch it again below.