Poetry

Postcard project: Civilization’s Lost

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Here’s an experiment in poetry publishing that’s new to me. The idea was planted by fellow DC poet Buck Downs, who’s been regularly sending out postcard poems for years. At just three lines, the title piece from the Civilization’s Lost series–poems based around lost cities and civilizations to highlight the fragility of languages, cultures and nations–seemed perfect for this. I ordered a custom rubber stamp to imprint the faces of old postcards, some I made from paperback book covers or record jackets. Been sending these to literary journals, poets, mail artists and friends, as long as I have a snail mail address.

“Rabbit Toilet Fantasy” and four other poems published in Ramingo’s Porch

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Today, outlaw poetry magazine Ramingo’s Porch published five of my poems: “Rabbit Toilet Fantasy,” “The Desperate Ones,” “Another Hit for History,” “Plastic Surgeon Voyeur,” and “Bag of Bones.” You can read them here.

I didn’t actually intend to get published in this journal so soon after the last time; it’s a happy accident. I thought I was submitting to their special print issue with the the theme “Sex.” So I rounded up the dirtiest pieces I had and sent them in. Turns out that “Sex Issue” was released last month, and its deadline closed last August! It’s available on Amazon.

It may be worth noting that “Rabbit Toilet Fantasy,” partially seen below, is written from the perspective of the trickster rabbit character that showed up in a few poems. “The Desperate Ones” features Casanova as a character.

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“It’s a Lapdog Thing” and two other poems published in Ramingo’s Porch

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Though it started as a print journal, Ramingo’s Porch recently brought its showcasing of outlaw poetry online. I’m pleased that three of my poems appeared on the Ramingo’s site today: “It’s a Lapdog Thing,” “Maggot Picnic,” and “Ass Dragging on the Main Line.” You can read them here.

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New video “No Eyes Remain” on YouTube

My new music video “No Eyes Remain” on YouTube depicts a far future where humans explore outer space as pure energy forms. The video text reads “no eyes remain to record the facts,” taken from my unpublished poem “Early Observatory,” part of my “Civilization’s Lost” series examining the fragility of human language, culture and civilization. The electronic soundtrack is Tone Ghosting’s “TGV.” Best played loud through speakers or headphones with a wide dynamic range. Click the link above to play the video.

 

“Dear Stone Magic” published in Futures Trading

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The latest issue of online experimental literary journal Futures Trading #6.2 went live yesterday (Jan 6). Another one of those “who’s who” anthologies of the international avant lit underground, this number includes work from Mercedes Lawry, Sanjeev Sethi, Annie Blake, Kyle Hemmings, James Fowler, Stephen Middleton, Mark Young, Christopher Barnes, Joe Balaz, James Kincaid, Glenn Ingersoll, John Marvin, Patrick Theron Erickson, Joel Streicker, Simon Perchik, Donald E. Gasperson, and John Dorroh.

I’m pleased to say one of my poems from the Civilization’s Lost series also made the cut; it’s called “Deer Stone Magic,” revolving around the deer stone pillars of the Mongolian plains. You can read the piece (and the whole issue) here. Be sure to scroll all the way down for the Mad Hatter’s teacup!

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Three Gonch poems published in M58

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Online experimental poetry journal M58 published three of my Gonch poems today: “Nonclaganall Anlachan Clach Galachonag,” “Callanach an Lag Ongana,” and “Onla Onla Callanagan Hoggaach.” You can read them here.

These pieces were composed in “Gonch language” with an alphabet restricted to the letters in the nonsense phrase “all gonch.” With the current breakdown in the semantic values of (American) English, a need has arisen for a new language for future communications. Perhaps Gonch will be that language. Perhaps not.