
H& is a great blog covering “visual/concrete poetry and assorted other oddities.” Today, one of my video stills appeared there. You can check it out at full size here.

H& is a great blog covering “visual/concrete poetry and assorted other oddities.” Today, one of my video stills appeared there. You can check it out at full size here.


Today, Black Poppy Review published my poem “Future Dragons.” This very recent piece is a rather baroque look at sea serpents living with modern indifference to their magic. You can read the complete poem here.

While browsing Amazon, I ran across a new version of Alfred Jarry’s play Ubu Roi (handy Wikipedia reference) that links the megalomaniacal, illogical tyrant Ubu with our current Dear Leader. The adaptation is fittingly titled Ubu Trump.

According to the synopsis, this book is: “Translated and Entirely Updated by Rosanna Hildyard. Though ostensibly Surrealist, Alfred Jarry’s 1888 play Ubu Roi bears disconcertingly close resemblance to America in 2017. This new version, which brings Ubu to the USA, is a bombastic, irreverent romp through the misadventures of the titular usurper of the White House, with a sharp eye for materialism and political infighting.”
I was actually pleased to see that someone else had made the Ubu/Trump link. Last year, I resurrected the “Ubu for President” campaign posters I made during one of the Obama elections. Some of these actually made it into paper boxes on the streets of DC in 2016. The first photo shows one of my posters in situ, collaged with the remains of a Washington Examiner magazine cover depicting the soon to be Dear Leader. Unfortunately, I got lazy and didn’t do much with this postering campaign.

“Pere Ubu for President” was meant to be a joke. The text on the poster, referring to Ubu’s real estate development concepts, was a broad reference to the Trump organization’s modus operandi. Who would elect an obese, raving, ignorant sociopath, dressed in a kind of KKK outfit, as a leader? Now we know the answer to that.
Having never read Hildyard’s adaptation, I can’t recommend it over the original. If you have not read Jarry’s play, now’s the time. It’s a remarkably adept likeness of the Tweeter in Chief, performed only once in 1896. On the play’s opening night, it caused riots in the audience, starting with Ubu’s first pronouncement, a corruption of the French word for feces: “Merdre!” You can easily find copies of Ubu Roi available on Amazon. Once, the title was translated as “King Turd,” just to let you know the general zone of the satire involved.
When you’re done reading about King Ubu, you can read Jarry’s two sequels: Ubu Cuckolded and Ubu Enchained. It could be likely these plays spell out the full trajectory of the current regime!

Stylus director Jim Adams posted the recording from the latest Stylus concert at Sonic Circuits 2017 to Soundcloud. This was a collaboration with French artist Astatine, involving an ensemble playing vinyl 7″ supplied by Astatine, supplemented by guitarists and video projections. Stylus exclusively uses Califone turntables sourced from elementary schools that updated their A/V equipment. As one of the turntablists, I find the description “pratfalls for multiple turntables” rather appropriate! More on the personnel and recording details below. You can check out the track on Soundcloud here.
STYLUS + ASTATINE
AT TO ER // APT TO ERR // WHO AM THE ONLY ONE
Live @ 2017 Sonic Circuits Festival
Rhizome DC . Washington DC USA . Sunday 17 September 2017
periodontic tablatures + pratfalls for multiple turntables, vinyl recordings, guitars + digital malfeasance
001 TWIN FORKS
002 UNFINISHED PLOT
003 REQUIREMENT FOR LOCAL CONTENT
004 SOUNDS FROM THE ATTIC
STYLUS turntable ensemble
JS Adams, artistic director + score . Califone . processing . visuals
Jeff Bagato, Califone
Chester Hawkins, Califone
Janel Leppin, Califone
RA Martini, Califone
Gary Rouzer, Califone
Keith Sinzinger, Califone
Chris Videll, Califone
Bianca Williford, Califone
Stéphane Récrosio / Astatine, vinyl + original source recordings
Jeff Barsky, guitar
Josh McDonald, guitar
Guillermo Pizarro, digital contributor
Mei Mei Chang, live infrared visuals
Steve Sanders, recording
Joseph Dress, video


Online poetry magazine Futures Trading publishes “forward facing” work. A new issue, number 5.3, was released today. It includes one of my pieces called “Quiet Rhizome.” You can check out the issue here.

The Tone Ghosting music video “The Movie’s On” contains a “secret” flash frame–basically a subliminal image–of the magician presenting the climax of his illusion. Did you spot it in the video? You can watch it again below.

Underground poetry blog In Between Hangovers keeps dropping that outlaw poetry, several posts a day, day after day. Today, another of my poems got the treatment; this one’s called “A Short History of Time.” You can read it here.

The “Klox and Katz Ink” issue of Clockwise Cat, number 38, was released sometime last week. I just learned it was available on Yumpu. A freewheeling literary magazine featuring leftist rants, pictures of street art murals, and a big poetry selection, Clockwise Cat #38 also includes my poem “128 Words for Lies” spread across pages 65-66. You can read the issue here.
That time I (finally) got a poem published in Baltimore’s Shattered Wig Review, a journal based out of Normal’s Bookstore (at the time), landing in Issue #17. “Folie a Deux” was one of my best pieces, IMHO. The whole issue is over the top with collages, pieces by Blaster Al Ackerman (fiction and art, plus photos of the man himself!), Batworth, Mok Hosfeld, John Bennett, and editor Rupert Wondolowski, as well as “Pretty Beaver” cartoons by my friends Mary Knott and Beppi, among lots of other wild stuff. No date on the rag, but this was definitely circa 1996.


Just learned that experimental poetry blog H& published one of my video stills yesterday. You can view it here.